“The confrontation of a short film and a large–scale concrete–like built structure enacts an unexpected and powerful juxtaposition, the oppressive static weight of the sculpture and its dangerous disturbing interior – plays against the delicate superimpositions and fragments of narrative in RoadSide. The conjunction of a complex 12–minute film with the monumental structure of the sculpture is an echo chamber for meaning. Joe Comerford’s RoadSide breaks new ground as a remarkable conjunction of film and sculpture.”

Rod Stoneman