‘the head and the hand are not simply separated intellectually but socially’

Richard Sennet writes about craftsmanship and all kinds of makers. In his book The Craftsman, he uses the phrase ‘making is thinking’. Charmed by the idea of ‘making’, Evelyn Broderick uses socially engaged structures to shackle and bind drawing, printmaking, and sculpture together, to delve into the experiences of using your head, hand and body.

Evelyn’s work explores this social need and desire to make using our hands, and how, now more than ever, it is imperative to our understanding of our surroundings and ourselves. The daily use of electronic devices has slowly disconnected our touch to raw materials and the concept of making has become more of a fitting hobby than an everyday practical need. Society has always had a strong focus on work life but the demands in labour have changed, once physically exhausting, now emotionally draining. Evelyn worries about the attitudes of our limitless abilities that we seem to have created. It is now that we need to reconnect with the touch of making as a way to fully connect to a present and more fulfilled society.

In passing is a new series of work about making. A gentle nod to the game chess, Evelyn uses the pawn as a recurring motif where here it is dismantled into three structures. The title stems from a strange move in chess ‘en passant’, a special pawn capture. She uses materials both man made and natural to highlight the maker, rushes used to make useful objects and copper used in trade. The woodblock prints acknowledge the tactile experience of making a mark.

Evelyn Broderick is an installation artist currently based in Stockholm. Evelyn received an MA (First Class Hons) in Fine Art from Liverpool John Moores University, founded an artist and art education cooperative (Quad Collective CIC) and worked closely with Turner Prize 2015 winners, ASSEMBLE, at Granby Workshop, Toxteth. Evelyn also led workshops on behalf of Tate Liverpool (Liverpool, UK), Walker Art Gallery (Liverpool, UK) and Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain). Broderick spent 2017  participating in residencies across the UK and Ireland.

Evelyn Broderick is an installation artist, she is currently a studio member at A4 Sounds in Dublin. Broderick uses socially engaged structures to shackle and bind drawing, printmaking and sculpture together. Her work is inherently politicalized with social and economical overtones. She completed her BA in Fine Art Painting at Limerick School of Art and Design and a Hdip in Art and Design Teaching at Crawford College of Art and Design. Evelyn relocated to Liverpool to develop her practice. During her two years in North West England, Evelyn received an MA (First Class Hons) in Fine Art from Liverpool John Moores University, founded an artist and art education cooperative (Quad Collective CIC) and worked closely with Turner Prize 2015 winners, ASSEMBLE, at Granby Workshop, Toxteth. Evelyn also led workshops on behalf of Tate Liverpool (Liverpool, UK), Walker Art Gallery (Liverpool, UK) and Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain).

www.evelynbroderick.com • www.evelynbroderickart.blogspot.ie • @BroderickEvelyn