Energy Made Visible

Saturday 11 July – Saturday 5 September 2026
Michael Ashur, Auto-Portrait with Prism, (detail) 1982. Image courtesy of the University of Limerick and The Estate of Michael Ashur; Design by Ian Malone | Energy Made Visible | Saturday 11 July  – Saturday 5 September 2026 | Ormston House | Michael Ashur, Auto-Portrait with Prism, (detail) 1982. Image courtesy of the University of Limerick and The Estate of Michael Ashur; Design by Ian Malone | an illustration showing light being split by a prism into the colours of the rainbow; the prism is being held by someone’s left hand, and the beam of light is coming down from towards top left, a thin white cosmic ray from a blue sky of stars and clouds; the figure is wearing a white shirt with a red tie on which there is a pattern towards the bottom of what we can see of it; it may be taken from an Ashur painting; the sky toward top left bears the title of the exhibition in white sans-serif font
Opening Reception Friday 10 July, 7 – 9pm

Energy Made Visible is a group exhibition centred around the paintings of Michael Ashur (1950-2024). Known for his meticulous airbrushed compositions, Ashur’s work is concerned with solar systems, celestial bodies, and overlaps between artistic and scientific disciplines. This exhibition at Ormston House, Limerick, places Ashur’s work in dialogue with four contemporary Irish artists. Contributions from Ann Maria Healy, Sean Lynch, Thaís Muniz, and Garrett Phelan activate and expand upon Ashur’s enigmatic paintings.

Born in 1950 and raised in Dublin, the artist (then known as Michael Byrne) commenced his studies at the National College of Art and Design in the late 1960s. Upon leaving NCAD, Byrne assumed the pseudonym Ashur, after a Babylonian sky god. The visual novelty of his work and its capacity to capture both eye and imagination were central to Ashur’s initial success.

Ashur’s early works show an awareness of international painting and he is one of the few Irish representatives of the shaped canvas movement. His paintings exemplify a tendency seen throughout the twentieth century, whereby artists embraced novel materials and technologies – in this case, acrylic paint and airbrush – to pioneer innovative vocabularies.

Image: Michael Ashur, Auto-Portrait with Prism, (detail) 1982. Image courtesy of the University of Limerick and The Estate of Michael Ashur; Design by Ian Malone
Saturday 11 July – Saturday 5 September 2026
Ormston House
9-10 Patrick Street
Limerick City
info@ormstonhouse.com
ormstonhouse.com/progra...
Admission / price: Free

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