Last year, during a forest walk in her homeland of Sweden, Danell encountered a lake from her childhood. It was uncharacteristically still. Mesmerised by its reflection and an uncanny sense of doubling, it became the seed and the title painting of the show. These large-scale works ask us to look anew at what’s familiar, at what we think we know about everything we encounter. The sense of being absent from Sweden for so long has led to Danell reimagining its arboreal landscape as a place of contrasts: the hyper-reality of nature, but with an echo of Sci-Fi. In Immensity Made Manifold, an upended tree resembles a multi-tentacled creature. The palette reflects this strangeness – a lilac sky, rose-streaked tree-bark – an accumulation of hundreds of shades. Danell had an early interest in Colour Theory, and believes her work has gotten progressively more experimental with colour over the years. Within these green dome settings, vertical daubs in neon shades appear, which for Danell, represent a gravitational pull. But there are invaders too: hunters who build blinds and desecrate rocks with instructions: Stå Här (‘Stand Here’). In Into the Unknown, an otherwise bucolic scene is interrupted by a yellow arrow defacing the trunk of a tree. Herein lies another conflict: the genuine human need to map and carve out a place in the world, and the artificial, intrusive branding of nature by hunters.

Extract from An Accompanying Text written by Sinéad Gleeson

Cecilia Danell (b.1985) is a Swedish-born, Ireland-based painter with a multidisciplinary practice that incorporates sculpture, film, and textiles.

Recent exhibitions include: EXPO Chicago (solo, 2026), Kevin Kavanagh, Chicago, USA, ‘These Magnetic Magnitudes’ (solo), Solstice Arts Centre, Navan, Curated by Brenda McParland (2025), ‘Abu Dhabi Art Fair’ The Childe Gallery (Abu Dhabi, 2025), ’In Bloom’ 532 Gallery Jaeckel (Basel, 2025), ‘Salong Östergötland’ Linköping Konsthall (Sweden, 2025), ’What the Plants Know’ Galway International Arts Festival, 126 Gallery (2024), ‘Kevin Kavanagh Presents: Cecilia Danell’ (solo) Dunamaise Arts Centre, Portlaoise (2024), ‘‘Following Threads’ Crawford Art Gallery, Cork (2023) ‘A Stillness Expanded’ (solo) Claremorris Gallery (2023), ‘Brush Lightly Through Fireweed Forests’ (solo) Kevin Kavanagh, Dublin (2022), ‘GENERATION2022: New Irish Painting’ Butler Gallery, Kilkenny (2022), ‘Parklife’ The Glucksman, Cork (2022), ‘Tactile Terrain’ (solo), Luan Gallery, Athlone (2022), The Hennessy Craig Award Exhibition, RHA, Dublin (2022), ‘Mise en scène’, Centre Culturel Irlandais, Paris (2021), I set a Bait for the Unknown’ (solo), Kevin Kavanagh, Dublin (2020), ‘In a Landscape’ (solo) Ashford Gallery, RHA, Dublin (2019).

Her work is in the collections of The Arts Council of Ireland, The Office of Public Works, Trinity College Dublin, The Cleveland Clinic, USA, Fidelity Investments, Boston, USA, University College Cork, Ballinglen Arts Foundation, Galway City Council, Wexford County Council, Region Kalmar, Sweden and Motala Municipal Council, Sweden as well as private collections in Ireland, UK, Sweden, Canada, France, Spain, United States and Norway.