In this exhibition of recent work Andrew Folan plants a virtual garden and propagates a sequence of new species. Working in a generative manner he establishes organic forms and enables their growth within the weightless and frictionless space of the computer. In this rarefied “hot house” environment the original digital species may be grown. Using animation software and rapid prototyping, these creations occupy a genetic virtual space, while simultaneously becoming manifest as actual instances of their evolution.

In referencing botanical forms, inventing, bending rules, and intuiting “bio-virtual” manifestations, Folan introduces a digital morphogenesis in which his creations occupy both timed and timeless worlds. These forms are enabled to regenerate and adapt while maintaining their genetic origins. Tactility and haptic qualities are evident throughout, enabled by the curious translation of digital constructs into actual material.

In Bed of Thorns the issues of touch and sensation arise, as the entity pierces through its own surface, providing both an enticing and comforting form that belies the dangers it contains within.