“24/7 is one of the National Sculpture Factory’s new digital online artists’ platforms.
24/7 is a short a short visual essay presentation where each artist introduces 24 slides in 7 mins with accompanied narration. It is designed for artists to explore their artistic research or areas of interest that feed into their artmaking or art thinking. Designed to be easily assembled during these times of Covid restrictions.
24/7 is so entitled because it alludes to the fact that artistic pursuits have no definitive timelines, there are no parameters, artists’ productive time is 24 hours 7 days a week.
24/7 allow us into the world of interests that drives artists’ imagination; the areas of researches that artists engage in in the formation of their artistic practice and the stuff that catalyses their creativity.
24/7 can be simple, exploratory, experimentary and playful.
24/7 is not a platform for the presentation of an artist’s back catalogue or to showcase their past exhibition history but rather allow us access the extraordinary material that influences an artist’s practice or body of work.”
National Sculpture Factory: 24/7
€0.00
Description
“24/7 is one of the National Sculpture Factory’s new digital online artists’ platforms.
24/7 is a short a short visual essay presentation where each artist introduces 24 slides in 7 mins with accompanied narration. It is designed for artists to explore their artistic research or areas of interest that feed into their artmaking or art thinking. Designed to be easily assembled during these times of Covid restrictions.
24/7 is so entitled because it alludes to the fact that artistic pursuits have no definitive timelines, there are no parameters, artists’ productive time is 24 hours 7 days a week.
24/7 allow us into the world of interests that drives artists’ imagination; the areas of researches that artists engage in in the formation of their artistic practice and the stuff that catalyses their creativity.
24/7 can be simple, exploratory, experimentary and playful.
24/7 is not a platform for the presentation of an artist’s back catalogue or to showcase their past exhibition history but rather allow us access the extraordinary material that influences an artist’s practice or body of work.”