While previous work has seen Allen play with pictorial tradition, using framing devices to challenge the viewer’s perception of space and depth, these new paintings privilege surface over illusion. Shapes and forms buzz and hover as if in mid-air; jostling for our attention, rather than receding into the distance. Deepdrippings is an exploration of density, with tar-like globules almost fizzing on the surface of the paintings. This is intensified in Allen’s highly condensed smaller paintings, which in their minute brilliance recall neutron stars – the smallest but most densely packed celestial objects in existence, of which a teaspoon-sized amount would weigh about 10 million tonnes.

The new work presented in Deepdrippings marks a significant development in Allen’s practice, but as pointed out by the art critic John Yau (Hyperallergic), ‘For all the radical changes that Allen has made … his long preoccupation with paint as matter has become increasingly evident.’

Phillip Allen graduated from the Royal College of Art, London in 1992. Recent solo exhibitions include Dolph Projects (2016); The Approach, London (2014, 2011 & 2008); Kerlin Gallery, Dublin (2013, 2009 & 2005); Xavier Hufkens, Brussels (2007, 2005); Milton Keynes Gallery, UK (2006); and MoMA PS1, New York (2003).  International group shows include CCA Andratx, Mallorca (2012); Hong Kong Heritage Museum, Hong Kong SAR (2011); Fabio Tiboni arte Contemporanea, Bologna, Italy; The City Gallery, Leicester, UK (2009); Tate Britain, London (2009) and the British Art Show 6.
For further information, please contact Rosa Abbott, rosa@kerlin.ie.

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